Be it a blockbuster movie, an indie gem, a play on The Fringe, or the West End - scripts are where it (usually) begins. Scriptwriters not only get to watch loads of TV and call it ‘work’ – they get to create new worlds, re-invent old ones, and give life to new voices.
When you look at the top-grossing movies at the box office, it’s no surprise that they primarily consist of superhero movies made by big studios with big budgets. Black Widow is thetop-grossing film of 2022 so far, with Shang-Chi and The Legend of the Ten Rings a close second. In third place is F9: The Fast Saga, the ninth installment in the overwhelmingly popular Fast and Furious franchise.
Sure, we’d all love to write one of those big blockbusters, but it’s going to take a lot of blood, sweat, and writing to earn Marvel’s trust. That’s why I want to draw attention to the movie that is in fourth place: A Quiet Place Part II. The sequel to 2018’s A Quiet Place has grossed over $160 million this year and still has three months to go. Why is this significant? I will explain.
As aspiring screenwriters, it is important for us to focus on markets where we can break through. Some genres don’t necessarily require a huge budget or an A-list star to be successful, and that’s good news. Making a movie is the beginning of the journey to getting hired to write a superhero movie.
Of course, horror scripts aren’t all about gore and shocks. You have to know how to write even the quieter moments, like this great scene from the first Conjuring spin-off: Annabelle.
The screenplay was written by Gary Dauberman and signaled his arrival as a sought-after Hollywood writer after several well-received B-movies. He favors the minimalist writing style of Walter Hill (The Getaway, Alien), with sentences either broken up within a paragraph or hugging the left margin, almost like bullet points.
This script was written by John Carpenter and Debra Hill in just ten days (or three weeks, depending on which version you hear). Either way, it’s a very short amount of time to create one of the greatest horror scripts of all time.
Part of its enduring appeal is the simplicity of its concept: A kid who murdered his babysitter escapes from a mental institution to pursue the babysitter and her friends, all while being pursued by his psychiatrist. This logline virtually writes the script itself, so in that sense it’s no wonder Carpenter and Hill were able to knock it out so quickly.
The script of 21 Jump Street gives a new twist to the Buddy action movie genre by giving comedy equal weight to action. It takes the premise of the original TV show but flips the tone from straightforward action to offbeat comedy. Always think, “How can I subvert genres? How can I mix genres and create something new?
Overall, the script works because buddy movies are an important part of cinematic history — even if it’s also a particularly American phenomenon. As film historian David Thompson notes, “You just wouldn’t see three Englishmen behaving the way American men behave, who are really happiest when they’re with other men.”
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Writer: Kelly Fremon Craig
How this amazing comedy drama script came about is a good example of a writer who punches above his weight. If you have a great comedy script and a favorite producer or director, there’s nothing stopping you from sending it to them and seeing what happens.
That’s exactly what new screenwriter Kelly Fremon Craig did when she sent a copy of the script to James L. Brooks, and he eventually became her mentor. As she says, “It was a crazy longshot I took at the beginning! And I never thought it would work. But I sent him the script and he ended up taking on the project.”
When Scrooge’s nephew Fred returns the letters Scrooge once wrote to his sister Fan, the past is unlocked, and Scrooge learns how his fear of poverty and pursuit of wealth cost him his chance at love and true happiness. (Note that a small cast version is available and listed below. The script is similar to the large cast version, but the production style is different.)
Angel, a child fairy, learns a valuable lesson about caring for the sick when she runs away from home. Angel ventures into the human world, only her magic goes awry and she finds herself an unloved poinsettia plant. A homeless woman rescues Angel from a trash can and takes care of her back. Angel returns home with a greater appreciation for caring and caring for others. This skit takes approximately five minutes to complete.
A simple template best suited for short, straightforward promotional videos. It can jump right out of the digital noise and really grab attention.
The structure of the notification may vary depending on your purpose, but in general it is as follows:
• A short introduction
• Main Report
• Details
• Call to action
If you use voice-over, avoid turning the video into a lecture. Be brief and ask relevant questions (eg “Have you ever…?” or “Wouldn’t you like to…?”) to make it sound more natural.
2. Explainer
A short video (usually animated) that explains ideas, products, or services in a memorable way. There are three popular explainer video script formulas:
This template begins with a scene where a character is struggling with the same problem your audience is facing. Once you’ve established a connection, you present the solution, show how it works and the results it delivers, and wrap it up with a call to action.
Best short drama scripts
1. A GIFT – TEN MINUTE PLAY FOR TWO ACTORS
Author: Jean Blasiar
Type: One act, short acts, ten-minute plays
Genre: Comedy-drama, dramatic comedy
Cast: 2M
Ages of the actors: Approximately 30-40 years of age
Suitable for: All ages
In this ten-minute play for two actors, two young men meet on a train. One is a serious young man on his way to propose to his girlfriend, the other is a cynical loner who advises the former to escape the wedding while he can. The council backfires and an earnest young man sets out on a journey, leaving the recluse in this comedy-drama with a wonderful twist to his story.
Type: Five-minute plays, short plays, dramatic sketches
Genre: Romantic drama
Cast: 1M, 1F
Ages of the actors: Both over seventy. The female can be older
Length: Five minutes
Set: A Park. Daytime in the present. It is a bucolic atmosphere in the middle of a city.
Level of difficulty: 6/10 – conversational, easy lines to remember and that also flow easily
When Jack meets Esther in the park one day, he swears she looks familiar. Although Esther initially denies that she even knows him, she invites him to sit down and they start talking. Jack tells her a story about a girl he knew a long time ago, a girl he called “Essie”, who helped him get over another girl who broke his heart a long time ago. A short five-minute game for seniors - one man and one woman.
Writers: Blake Masters (screenplay by) Steven Grant
This screenplay explores the relationship between two criminals – Denzel Washington and Mark Wahlberg – as they clash with U.S. border patrol in this fast-paced adventure.